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During the 18th century, beauty and art were discussed together because both


A) were studied by the upper class.
B) were schools of philosophy.
C) were related to the senses.
D) were felt to provide pleasure.
E) involved vision.

F) A) and B)
G) B) and E)

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Van Gogh's paintings are of high value because


A) his work had a major influence on subsequent artists.
B) there are a limited number of his paintings.
C) he plays a large role in Western art history.
D) his paintings allow the viewer to feel a connection with the artist himself.
E) All these answers are correct.

F) B) and D)
G) D) and E)

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According to the author, Leonardo da Vinci's Mona Lisa dazzled his contemporaries because


A) the sitter was a wealthy woman.
B) he was a famous artist.
C) the portrait was almost miraculously lifelike.
D) all of these were the case: he was a famous artist, the sitter was a wealthy woman, and the portrait was almost miraculously lifelike.
E) None of these answers is correct.

F) A) and E)
G) A) and C)

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The field of philosophy called aesthetics asks the question


A) What is art?
B) Can we apply our concept of art to art of the past?
C) Can we apply our concept of art to art of different cultures?
D) Is there one correct standard for judging art?
E) All these answers are correct.

F) C) and D)
G) A) and B)

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Context is a factor of ties that bind a work of art to the


A) life of its creator.
B) tradition it grows from and to which it responds.
C) audience for which it was made.
D) society in which it was circulated.
E) All these answers are correct.

F) A) and B)
G) A) and E)

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If a work of art is faithful to our visual experience, its style is


A) iconographic.
B) nonrepresentational.
C) stylized.
D) abstracted.
E) naturalistic.

F) C) and D)
G) A) and C)

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Consider both Auguste Rodin's The Kiss and the Head of King from the Yoruba kingdom of Ife, included in this chapter of the text. Compare and contrast the materials from which the works were created and the styles each work represents, mentioning at least two of the general categories of styles (cultural, period/historical, and school styles). Finally, discuss the themes of art that you believe each work presents.

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Both pieces are sculptural--one of bronz...

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The ideas we have about art today have not always been in place. Discuss how the Mona Lisa, one of the most famous works of Western art, became a product of our modern era. Consider influences such as historical context, the concept of celebrity, the term "art" today compared to the term in "art" before the modern era.

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The Mona Lisa gained popularity after be...

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To discover why the sculptor of the Amida Nyorai depicted the subject with elongated earlobes, specific hand gestures, and a bun atop his head requires the use of


A) mudras.
B) iconography.
C) religious worship.
D) enlightenment.
E) deattribution.

F) B) and E)
G) A) and C)

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B

Compare and contrast Matisse's two paintings Piano Lesson and Music Lesson addressing the abstract qualities of each, the presentation of the content, and how the objects presented in the painting inform directly or indirectly the content of the paintings.

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The two paintings explore form and conte...

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Discuss how Ann Hamilton's Mantle and Joseph Bueys's How to Explain Pictures to a Dead Hare are examples of installation and performance art, addressing the performance nature of the pieces, the importance or unimportance of the space, the visual impact, and your response to this type of art.

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Installation art uses a determined space...

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After much study of the Arnolfini Double Portrait, experts agree that


A) the single candle is a sign of God's presence.
B) the dog is a symbol of marital fidelity.
C) the red bed suggests a fertile marriage.
D) all of these are true: the single candle is a sign of God's presence; the dog is a symbol of marital fidelity; and the red bed suggests a fertile marriage.
E) they still debate the work's iconography.

F) B) and C)
G) A) and E)

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At the beginning of the 20th century, how did the development of photography transform the art of artists who worked in non-photographic media? Which artist determined that this new process changed the process of representing the observable world and how?

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Photography offered a mechanical way to record images. It gave artists a way to liberate themselves from copying nature. Picasso recognized photography as the pivotal change in art making.

Representational art with an approach to naturalism covers:


A) fabric drapes over bodies.
B) recording effects of light and shadow on form.
C) inner structures of bodies.
D) All of these answers are correct.
E) None of these answers is correct.

F) All of the above
G) A) and E)

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D

Considering both of these works, included in this chapter of the text, discuss each artist's style and treatment of the subject: Utamaro's Hairdressing, from Twelve Types of Women's Handicraft; and Degas' Nude Woman Having her Hair Combed.

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Both artworks are thematically...

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When discussing the size, shape, material, color, and composition of a work of art, we are discussing its


A) form.
B) iconography.
C) theme.
D) purpose.
E) content.

F) A) and E)
G) A) and D)

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Which statement is NOT true regarding James Hamilton's Throne of the Third Heaven… body of work?


A) The artist's art was outside of the realm of professional training.
B) The artist was unknown until his death.
C) The work realized a spiritual vision.
D) The complete body of work resides now in the Smithsonian.
E) The artist intended the work to be viewed by everyone as a message of redemption.

F) A) and C)
G) A) and D)

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Compare Titian's Assumption and Friedman's Untitled in regard to historical and social context, visual presentation, and audience.

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Titian's Assumption is a religious paint...

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Consider the differences between "outsider" (naïve or folk) art and the works of professional artists, explaining the reasons that you believe that "outsider" art should or should not be accepted by critics, museums and galleries, and the public as "real" art.

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The emergence and validation of differen...

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Cite and describe four works representing each of these categories: representational, abstract, trompe l'oeil, and nonrepresentational. For each of the works you select explain what the artist communicated through the form of his or her artwork.

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Each selected artwork should be precise ...

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