A) A specific editing pattern used throughout the film is adhered to, thus confirming viewer expectations.
B) A specific editing pattern used throughout the film is replaced with a new one, thus re-creating viewer expectations.
C) A specific editing pattern used throughout the film is at first violated and then adhered to, thus confusing viewer expectations.
D) A specific editing pattern used throughout the film is at first employed and then broken, thus thwarting viewer expectations.
E) A specific editing pattern used throughout the film is satirized, thus mocking viewer expectations.
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Multiple Choice
A) a rapid tracking shot through a confined alleyway
B) the extension of various shots so that a scene's screen duration becomes longer than the purported time of its events
C) the complex interweaving of several shots to provide multiple views of the same subject
D) an animated sequence within a live-action film
E) a film containing several long takes
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Multiple Choice
A) a highly complex psychological drama's intertwining storylines
B) a character's background story in a witty comedy
C) the use of dramatic lighting to convey a madman's tortured psyche in a slasher film
D) the sound track of a movie sold as an individual recording album
E) the director's publicity notes accompanying the release of his or her latest film
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Multiple Choice
A) the shooting of a scene with gauzy filters
B) an abrupt cut that moves the action of a movie forward thousands of years in the future
C) the clever editing of sequence to make it appear as if all shots were taken in the same room when in reality they were not
D) dramatic, shadowy lighting
E) deliberately and painstakingly choreographed actors
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Multiple Choice
A) D. W. Griffith; Georges Méliès
B) Georges Méliès; the Lumière brothers
C) Georges Méliès; D. W. Griffith
D) Edwin S. Porter; Thomas Edison
E) the Lumière brothers; Georges Méliès
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Multiple Choice
A) desire to learn the answers to important questions.
B) disinterest in learning the answers to important questions.
C) engagement with issues beyond the scope of the story.
D) familiarity with a wide range of references and allusions.
E) longing for instant gratification and/or catharsis.
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Multiple Choice
A) Film is a medium through which visual information is captured and represented.
B) Film is a significant tool by which the news media creates ideological material.
C) It refers to the bargaining process by which film companies and unions negotiate contracts.
D) It refers to the cinematic apparatus as a collective entity.
E) It refers to the process by which an agent, structure, or other formal element transfers something from one place to another.
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Multiple Choice
A) the way cinema uses preexisting languages, such as the written word, to communicate meaning
B) the accepted systems, methods, or conventions by which the movies communicate with the viewer
C) the various ways characters speak on screen
D) the way critics and scholars discuss cinema
E) the way the general public discusses the cinema
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Multiple Choice
A) the director's intentions.
B) the movie's worth.
C) the narrative's theme.
D) the critics' reception.
E) the story's outcome.
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Multiple Choice
A) dialogue, music, ambience, and effects tracks.
B) cuts, montage, dissolves, and fade-in/fade-outs.
C) actors, actresses, characters, and narrators.
D) lighting, setting, props, costumes, and makeup.
E) camera movements and coordination.
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Multiple Choice
A) largely haphazard and accidentally arranged.
B) highly organized and deliberately assembled.
C) strangely careless and shoddily produced.
D) awkwardly thought-out and hastily conceived.
E) perfectly streamlined and unsusceptible to error.
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Multiple Choice
A) The characters repeat the same set actions.
B) Parallel editing is used to make different lines of action appear to be occurring simultaneously.
C) Distinct lighting schemes are used to differentiate the various settings from one another.
D) The same song plays at particularly dramatic moments.
E) Shot durations remain the same throughout.
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Multiple Choice
A) by only using for its fantastic premise real scientific methods and procedures
B) by basing the film on real historical events
C) by reveling in artifice and not choosing to make its special effects look seamless or spectacular
D) by making the motivations of the cleaning woman and water creature specimen entirely implausible
E) by having the audience become emotionally invested in an interspecies romance between a cleaning woman and a water creature specimen in a government research center
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