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In what way does The Silence of the Lambs use patterns in the scene of an FBI team preparing to storm a house?


A) A specific editing pattern used throughout the film is adhered to, thus confirming viewer expectations.
B) A specific editing pattern used throughout the film is replaced with a new one, thus re-creating viewer expectations.
C) A specific editing pattern used throughout the film is at first violated and then adhered to, thus confusing viewer expectations.
D) A specific editing pattern used throughout the film is at first employed and then broken, thus thwarting viewer expectations.
E) A specific editing pattern used throughout the film is satirized, thus mocking viewer expectations.

F) A) and B)
G) None of the above

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A satirical scene from a romantic comedy features its protagonist daydreaming of his love interest as an angel floating through the air. A slow-motion shot of this woman captures her through a gauzy filter with soft lighting as an overblown choral arrangement plays on the sound track. What is the content of the scene, and what is the form used to express it? Why might such formal elements have been chosen to express the content?

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The content of the scene is the daydream...

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What is the danger in solely analyzing the content of movies?

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In solely analyzing content, we risk los...

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Which of the following is an example of cinematic manipulation of time?


A) a rapid tracking shot through a confined alleyway
B) the extension of various shots so that a scene's screen duration becomes longer than the purported time of its events
C) the complex interweaving of several shots to provide multiple views of the same subject
D) an animated sequence within a live-action film
E) a film containing several long takes

F) A) and E)
G) B) and E)

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Which of the following would be considered a film's use of form?


A) a highly complex psychological drama's intertwining storylines
B) a character's background story in a witty comedy
C) the use of dramatic lighting to convey a madman's tortured psyche in a slasher film
D) the sound track of a movie sold as an individual recording album
E) the director's publicity notes accompanying the release of his or her latest film

F) C) and D)
G) None of the above

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Which of the following is an example of cinematic manipulation of space?


A) the shooting of a scene with gauzy filters
B) an abrupt cut that moves the action of a movie forward thousands of years in the future
C) the clever editing of sequence to make it appear as if all shots were taken in the same room when in reality they were not
D) dramatic, shadowy lighting
E) deliberately and painstakingly choreographed actors

F) B) and D)
G) D) and E)

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The French filmmaker(s) who established the realistic direction of cinema was (were) ________, while the French filmmaker(s) who established the antirealistic direction of cinema was (were) ________.


A) D. W. Griffith; Georges Méliès
B) Georges Méliès; the Lumière brothers
C) Georges Méliès; D. W. Griffith
D) Edwin S. Porter; Thomas Edison
E) the Lumière brothers; Georges Méliès

F) None of the above
G) B) and C)

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Screenwriters often organize a film's narrative structure around the viewer's


A) desire to learn the answers to important questions.
B) disinterest in learning the answers to important questions.
C) engagement with issues beyond the scope of the story.
D) familiarity with a wide range of references and allusions.
E) longing for instant gratification and/or catharsis.

F) A) and B)
G) None of the above

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In film theory, what does the concept of "mediation" mean?


A) Film is a medium through which visual information is captured and represented.
B) Film is a significant tool by which the news media creates ideological material.
C) It refers to the bargaining process by which film companies and unions negotiate contracts.
D) It refers to the cinematic apparatus as a collective entity.
E) It refers to the process by which an agent, structure, or other formal element transfers something from one place to another.

F) A) and D)
G) B) and C)

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What is meant by "cinematic language"?


A) the way cinema uses preexisting languages, such as the written word, to communicate meaning
B) the accepted systems, methods, or conventions by which the movies communicate with the viewer
C) the various ways characters speak on screen
D) the way critics and scholars discuss cinema
E) the way the general public discusses the cinema

F) A) and B)
G) B) and E)

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Once a narrative begins, expectations make viewers ask questions about


A) the director's intentions.
B) the movie's worth.
C) the narrative's theme.
D) the critics' reception.
E) the story's outcome.

F) A) and B)
G) All of the above

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One system of film, mise-en-scène, involves


A) dialogue, music, ambience, and effects tracks.
B) cuts, montage, dissolves, and fade-in/fade-outs.
C) actors, actresses, characters, and narrators.
D) lighting, setting, props, costumes, and makeup.
E) camera movements and coordination.

F) All of the above
G) C) and D)

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Usually, each of the systems that becomes the "complex synthesis" of a movie is


A) largely haphazard and accidentally arranged.
B) highly organized and deliberately assembled.
C) strangely careless and shoddily produced.
D) awkwardly thought-out and hastily conceived.
E) perfectly streamlined and unsusceptible to error.

F) C) and D)
G) B) and E)

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How do patterns operate in the chase scene in D. W. Griffith's Way Down East?


A) The characters repeat the same set actions.
B) Parallel editing is used to make different lines of action appear to be occurring simultaneously.
C) Distinct lighting schemes are used to differentiate the various settings from one another.
D) The same song plays at particularly dramatic moments.
E) Shot durations remain the same throughout.

F) C) and D)
G) B) and D)

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How does The Shape of Water employ cinematic verisimilitude?


A) by only using for its fantastic premise real scientific methods and procedures
B) by basing the film on real historical events
C) by reveling in artifice and not choosing to make its special effects look seamless or spectacular
D) by making the motivations of the cleaning woman and water creature specimen entirely implausible
E) by having the audience become emotionally invested in an interspecies romance between a cleaning woman and a water creature specimen in a government research center

F) A) and E)
G) A) and D)

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