A) army tanks firing missiles
B) crowds rushing back and forth
C) massive tripods crashing through the landscape
D) silence
E) electronic sounds
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Multiple Choice
A) sound effects faithful to their source
B) a synchronous sound bridge
C) nondiegetic, offscreen sound to the exclusion of all else
D) medium pitch sound
E) diegetic sound effects
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Essay
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Multiple Choice
A) Me and You and Everyone We Know (2006)
B) Inception (2010)
C) Alien (1979)
D) You, the Living (2007)
E) The Grapes of Wrath (1940)
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Multiple Choice
A) It highlights Wendy's coping strategy of denial.
B) It underscores how Wendy has become more relaxed.
C) It signals Wendy's growing comfort with Jack's writing.
D) It suggests that Wendy's anxiety has escalated to sheer panic.
E) It underscores Wendy's nonchalant attitude.
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Multiple Choice
A) It is recorded during the shoot so that it captures the spontaneity of the performance.
B) It is recorded during preproduction so that actors can match their performance to the prerecorded music.
C) It is recorded at the very end of the editing process so that it can be accurately matched to the images.
D) It can be recorded at any point during the production.
E) It is recorded after the script is written since its lyrics may stand in as dialogue.
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Multiple Choice
A) to signal something important
B) to create rhythm
C) to express a character's point of view
D) to create harmonic unity
E) to underscore a theme
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Multiple Choice
A) synchronous sound.
B) asynchronous sound.
C) diegetic sound.
D) on-screen sound.
E) simultaneous sound.
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Multiple Choice
A) DJs.
B) rock musicians.
C) symphony conductors.
D) radio hosts.
E) music producers.
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Multiple Choice
A) Joel and Ethan Coen's No Country for Old Men (2007)
B) Spike Lee's Do the Right Thing (1989)
C) Debra Granick's Winter's Bone (2010)
D) Stephen Daldry's The Hours (2002)
E) Tom Tykwer's Run Lola Run (1998)
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Multiple Choice
A) Different individual sound tracks are combined and compressed into one composite sound track.
B) Foley sounds are added.
C) Dialogue is recorded.
D) Usable film footage is logged for easy accessibility.
E) Automatic dialogue replacement (ADR) is often needed.
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Multiple Choice
A) It is a function of plot since it grows out of the characters' situations.
B) It is a product of acting since it involves an actor's voice, gestures, and facial expressions.
C) It is one of the primary ways of telling a story.
D) It is recorded during production or rerecorded during postproduction.
E) It is the speech of characters who must be visible on-screen.
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Essay
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Multiple Choice
A) multiple voice-over narration, which offers conflicting accounts of the same event
B) the bold juxtaposition of images with contrasting music
C) the silence used to produce a new rhythm
D) music that is fused with sound effects to create a seamless tapestry
E) incongruous nondiegetic sound for comic relief
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Multiple Choice
A) Significant portions of the dialogue may need to be created or added during postproduction.
B) Unwanted sounds need to be filtered out.
C) Sound tracks usually need to be combined and compressed.
D) The relative loudness and various aspects of sound quality need to be adjusted.
E) Dialogue must be recorded.
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Multiple Choice
A) we hear a gunshot, a nonfaithful sound
B) we hear thunder, a faithful sound of the storm
C) we hear a bomb exploding, a faithful sound of terrorist activity
D) we hear a kiss, a faithful sound between Charlie and Teresa
E) we hear a firecracker, a nonfaithful sound
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Multiple Choice
A) his 1938 radio production of The War of the Worlds
B) his Broadway adaptation of Julius Caesar
C) his baritone voice in his performance as Charles Foster Kane
D) his direction of Citizen Kane
E) his modern adaptations of literary classics
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Multiple Choice
A) amplitude.
B) harmonic content.
C) pitch.
D) frequency.
E) color.
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Multiple Choice
A) It creates rhythm.
B) It offers insight into the protagonist.
C) It grounds the audience spatially.
D) It sets up audience expectations.
E) It creates a sound bridge.
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Multiple Choice
A) Image and sound create separate worlds for the viewer.
B) Sound should be integral to at least two of three phases of film production (preproduction, production, and postproduction) .
C) Sound should be added in postproduction only.
D) A film's sound is never as expressive as its images.
E) Images and sound are co-expressible.
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